Friday, May 22, 2015


The Three-Dimensional City: How Drones Will Impact the Future Urban Landscape

 

Hawkins\Brown’s ‘Romance of the Sky’ proposal for the site of Heathrow Airport features drones – but does the urban design of the proposal accommodate the role of drones in the urban sphere?. Image © Factory Fifteen

Many have come to associate drones with the looming unmanned aircraft deployed in the defense industry, but as technology continues to improve drones have gotten smaller and progressively less expensive. Consumers can now purchase their very own drone for as little as $600 or less and the technology is already proving to be useful for a wide variety of purposes, including possible uses for architects in everything from site analysis to construction.

However, this technology could have much broader consequences on not only the airspace above our streets, but also in how we design for increasing civilian and commercial drone traffic. Just as other technologies such as cars and security surveillance have shaped our urban infrastructure, so too will an emerging network of infrastructure for pilotless technology. Particularly as drones become ever more precise and nimble, opportunities arise for their increased use in urban areas. If these devices can be programmed to learn from repeated maneuvers with the use of cameras and sensors, it is not unrealistic to say that they could soon learn how to navigate through increasingly complex vertical cities. But if drones become fixtures of our urban environment, what impact will they have on exterior spaces? And could they become as ubiquitous in our city’s skies as cars on our streets?


Drone technology in cities may take a number of decades to fully develop, as designers of smaller drones currently struggle to incorporate the battery life and power required to navigate the unpredictable wind patterns created by tall buildings. However, assuming technology continues to improve, we could begin to see drones used in cities for everything from delivery services to window cleaning. Curiosity for such services was first sparked last year after Amazon’s unveiling of a new delivery system using drones, and since then the uses for drone technology has become increasingly promising. Uses in the architectural realm include site analysis by realtors and architects in order to stitch together photos for 3D maps, monitoring construction site progress, producing dramatic photography of completed projects, and much more. As other industries begin to make use of this emerging technology, an increasing number of drones will carry out services hundreds of feet above our streets, and we currently lack the necessary infrastructure to benefit from and sustain this increased aerial traffic. Independent urbanist, designer and futurist Liam Young tells City Lab, “When you have services coming at people from different cross-sectional heights, you can’t have a city planned solely around the ground. Buildings would have to adapt to the kinds of visual cues and parameters those drones are programmed to respond to.” [1] The task of creating visual cues for drones in cities is particularly complex and is an area still under development.


The acrobatic moves that some smaller drones can be programmed to perform often rely on powerful sensors placed around the area in which they are flown. In order for a drone to be called “smart” and fly on its own it must have advanced processing capabilities to analyze its environment in real time. Some of these visual cues such as QR codes are simple, whereas the ability to identify shapes and track movements is far more difficult. Urban three-dimensional space designed with drones in mind could address some of these obstacles by providing locations for sensors and consistent access to wireless networks for drones to maintain communications. Wireless signal attenuation caused by tall structures and even materials such as glass has already proven to be an issue in urban areas, and improving these communication services will be a crucial step in encouraging better drone infrastructure. Architects will play an important role in designing cities that appropriately respond to this unprecedented multidimensional urban space, making buildings that work to facilitate drone navigation and communication rather than inhibit it.

 


Some have already begun to creatively envision how cities could adapt for this increasing array of technological uses for airspace, including Liam Young in his drone-based art installations. As many such visions of the future suggest, the infrastructure designed around drones could give architects a chance to reimagine how exterior vertical surfaces are used to suit the needs of drones. The devices would most likely require charging docks at regular dimensions, and if they are used for shipping, one could imagine drone delivery docks on each floor of tall buildings.

 


As for how drone technology could further change our urban experience, driverless vehicles have long been a staple of depictions of the future, and some researchers speculate that if driverless cars become a reality, driverless aircraft could soon follow. [2] Smaller drone technology could be the key to unlocking the potential of larger pilotless vehicles, and even developing science fiction’s long-awaited flying cars. This reality could be even closer than we imagine, as some Boeing and Airbus jets already take off, land and brake to a stop without human hands on the controls. Just as architects have already contributed to the notion of a technology-filled city with driverless vehicles, exemplified by BIG’s proposal for the Audi Urban Future Award, architects may also play a role in developing such an infrastructure for urban airspace. Responding to how pilotless vehicles navigate cities is essential if we are to create safe and flexible spaces that change based on traffic patterns and time of day.

All of these speculations about drones in our urban environment raise important legal questions regarding the ownership of three-dimensional space in cities. [3] The Federal Aviation Administration (FAA) already regulates consumer remote-controlled aircraft to a maximum height of 400 feet. Amazon and many other commercial interests are still waiting for the FAA to grant permission and establish regulations regarding the use of drones, and without these laws in place it is difficult to predict how the technology will continue to progress. However, many daring filmmakers and hobbyists have proven that it is difficult to enforce these regulations, prompting lawmakers to consider how enforced provisions would be put into practice. In the coming years, we may witness an increasing number of legal battles over the rights to airspace just as conflicts ensued with the emergence of automobiles at the time of the Model-T.



Some urban designers have already proposed rough ideas for possible zoning laws for drones. A post on his blog Humanitarian Space by Mitchell Sipus, an urban designer who has worked in Kabul and Mogadishu, reveals an early attempt at creating possible zoning for the airspace in which drones fly. [4] Sipus developed representations of color coded areas of Chicago, with green being flat and open public areas in which drones could fly freely, and orange, yellow and red areas delineating various restricted or prohibited spaces. The airspace over commercial stadiums, for example, may be restricted to advertising and television drones, and barred from civilian aircraft. Since his initial speculations, Sipus tells ArchDaily he has been involved in expanding the idea, including some recent work with NASA, suggesting that these ideas are ripe for real-world implementation.

If municipal governments established these zones, drones could then be programmed to respond to sensors that would either grant them full access to select areas, or alternatively automatically redirect their paths when approaching restricted areas. This digital infrastructure mapped over three-dimensional airspace would be completely invisible but play a crucial role in the deployment of infrastructure such as “highways” for delivery drones and more open recreational spaces for civilian drones.
 
 
Concerns over the use of pilotless aircraft and privacy have been another driving factor in developing legislation to regulate the use of drones through zoning and other means, following reports of paparazzi using drones to capture photos of celebrities in their private homes. Zoning may be one tool to approach these issues, but the design of homes themselves could also potentially transform to respond to increased needs for privacy from aerial viewers. This may include the design of outdoor spaces that simultaneously offer the open qualities of being outdoors, but take advantage of innovative canopy systems to provide increased privacy. Alternatively, private residences may return to Roman-styled central courtyards to improve protection from drones and perhaps create an entirely new “McMansion” typology designed around ensuring optimal privacy.

In everything from the design of skyscraper façades with integrated drone landing pods, to invisible urban infrastructure for government zoning, to the nuanced design of private residences, it is clear that the technological revolution sparked by drones will have widespread architectural ramifications. Drones could have a great many positive and negative effects on how we experience our cities, and we have yet to see the true extent of these effects in practice. In this complex multidimensional future, architects will face the challenge of working with both tech industries and government agencies more closely than ever before to develop truly pioneering urban design.

Source:




3.     Drone City: How Unmanned Drones Will Change Urbanism For the Better (Phil Pawlett Jackson, The Architectural Review)

4.     Zoning and Urban Land Use Planning for Drones (Mitchell Sipus, Humanitarian Space)

 

Friday, May 15, 2015

Taller Than Skyscrapers (New Technology May Double the Height of Skyscrapers)



 


Finish elevator manufacturer KONE has unveiled a new hoisting technology that will enable to travel heights of one kilometer – twice the distance than currently possible.  The new development implies that the Burj Khalifa, whose longest elevator travels a distance of 504 meters, will not remain the world’s tallest building for very long.





Currently, the fastest elevator in the world, made by Toshiba, takes passengers from ground to roof in thirty seconds, rising 33.7 mph through the Taipei 101. This surpasses the speed of the Burj Khalifa’s Otis Elevator, which travels at a mere 22 mph. At 828 meters tall, the Burj Khalifa would still be nearly 300 meters shy (equivalent to the height of The Shard) of the elevator journey that this new technology proposes. This advanced vertical transportation will allow building ever-taller to become even more feasible.





UltraRope, the new hoisting technology developed by KONE, will replace the conventional steel rope used for lifting with one that is developed with a carbon fiber core and a high-friction coating.  This rope is extremely light, reducing energy consumption in high-rise buildings as well as reducing the weight of its moving components, such as the hoisting ropes, compensating ropes, counterweight, elevator car, and passenger load.  This means, at 800 meters, the weight of the moving masses using KONE UltraRope is a fraction of the weight accumulated with the conventional steel rope. 


The carbon fiber rope has a number of other advantages.  KONE says that since “carbon fiber resonates at a completely different frequency to steel and most other building materials,” elevator downtime caused by building sway will be reduced.  In addition, the rope will have twice the lifetime as steel rope, requiring less maintenance and thereby reduces material waste and environmental impact.


This comes as a breakthrough in elevator technology, as Antony Wood, Architect and Executive Director, Council for Tall Buildings and Urban Habitat (CTBUH) states, as one of the major limits of single elevator travel distance was that at a height of approximately 500 meters the weight of the rope became unsupportable.  Check out this website for a more in-depth look at this technology. 




http://www.archdaily.com/category/building-technology-and-materials/
http://www.archdaily.com/385506/new-technology-may-double-the-height-of-skyscrapers/
https://www.youtube.com/watch?v=rNA5nRbFBeI&feature=player_embedded






 

Friday, May 8, 2015

Holographic Technology


Trimble Partners with Microsoft to Bring Microsoft HoloLens
Wearable Holographic Technology to the AEC Industry


Trimble to Integrate Microsoft HoloLens with Selected Trimble Solutions for 
Mixed-Reality Design, Construction and Operation Processes


SAN FRANCISCO, April 29, 2015—Trimble (NASDAQ:TRMB) announced today that it is working with Microsoft to develop a new generation of tools, integrated with the HoloLens holographic platform on Windows 10, which are intended to improve quality, collaboration and efficiency in the design, construction and operation of buildings and structures. A proof of concept was demonstrated at Microsoft's Build Developer Conference held this week in San Francisco.  

Microsoft HoloLens is a head-mounted, holographic computer that provides a mixed-reality experience for a range of commercial and consumer applications. When used by architecture, engineering and construction (AEC) professionals, the HoloLens device extends interaction with 3D models beyond the confines of a 2D computer screen, creating new ways for the many stakeholders of complex, multi-phase construction projects to visualize, collaborate, share ideas and manage change.  

Demonstration Highlights Design and Collaboration Scenarios



During the Build Conference keynote session, Microsoft demonstrated how the integration of HoloLens with Trimble's SketchUp 3D modeling software and the Trimble Connect collaboration platform could improve design and construction processes. Using HoloLens, architects were able to experience their SketchUp models as holograms placed in the real world—enabling them to quickly analyze various "what if" design scenarios in the context of the physical environment. The demonstration also illustrated how using Trimble Connect with HoloLens holographic technology enables remote teams to effectively review and collaborate in order to resolve constructability issues in real time.  

A recording of the demonstration is available at:  www.buildwindows.com. Additional information on the Trimble and Microsoft collaboration is available at:  http://buildings.trimble.com/hololens.   

"Trimble has a mission to deliver solutions that transform the user experience and work processes in many industries," said Bryn Fosburgh, vice president responsible for Trimble's Construction Technology Divisions. "We believe that HoloLens is a game-changer for design and construction teams by facilitating improved communication, and enhanced transparency. We're excited to partner with Microsoft in creating what could be a new era for technology in the AEC market."

"Microsoft HoloLens is a revolutionary tool for people and businesses enabling professionals in industries like design and construction to do more and achieve more," said Yusuf Mehdi, corporate vice president, devices & studios, at Microsoft. "Trimble's deep knowledge of design and construction processes makes it a natural partner in bringing holographic computing to this industry."  

Initial Development Focus



Trimble's initial research is focused on the integration of HoloLens with three Trimble solutions:  

  • Trimble® Connect - a collaboration environment for design, engineering and construction projects, based on Gehry Technologies' GTeam™ software acquired by Trimble in in 2014, Trimble Connect enables teams to access and manage project data via a cloud platform.  
  • SketchUp - the world's most popular 3D modeling platform, used by millions around the world to create, update and communicate designs in 3D.  
  • Trimble V10 Imaging Rover - an integrated camera system that precisely captures 360-degree digital panoramas for efficient visual documentation and measurement of the surrounding environment that can be transformed into data-rich geospatial deliverables.
Trimble's HoloLens-enabled solutions are currently under development. Details on availability were not disclosed at the Build Conference. Information on Trimble's broad range of existing solutions for the design, construction and operation of building and infrastructure is available at: http://www.trimble.com/Industries/Construction/index.aspx.  

About Trimble 

Trimble applies technology to make field and mobile workers in businesses and government significantly more productive. Solutions are focused on applications requiring position or location—including surveying, construction, agriculture, fleet and asset management, public safety and mapping. In addition to utilizing positioning technologies, such as GPS, lasers and optics, Trimble solutions may include software content specific to the needs of the user. Wireless technologies are utilized to deliver the solution to the user and to ensure a tight coupling of the field and the back office. Founded in 1978, Trimble is headquartered in Sunnyvale, Calif.  


For more info please see link: 
http://buildings.trimble.com/hololens

Friday, April 24, 2015

Washington Canal Park

TGIF to the viewers!

For this week’s YEOW, we’d like to share with you the Canal Park in Washington, D.C.


Canal Park exemplifies how a public‐private partnership can be used to create a public amenity that enhances the community and provides environmental benefits. The site serves as both a park and neighborhood stormwater retention area. It is designed to capture, treat, and use runoff collected onsite and from adjacent residential and commercial properties.


One of the first parks built as part of the District of Columbia's Anacostia Waterfront Initiative, Canal Park is a model of sustainability, attaining both SITES and LEED Gold certifications, and establishing itself as a social gathering place and an economic trigger. Located on 3 acres of what was recently relegated as a parking lot for district school buses, this three-block long park is sited along the historic former Washington Canal system. Inspired by the site’s waterfront heritage, OLIN’s design evokes the history of the space with a linear rain garden and three pavilions reminiscent of floating barges that were once common in the canal. Through a close collaboration with OLIN, STUDIOS Architecture designed a 9,000-square foot pavilion to host a café and dining area, as well as utilities that support the park and ice rink. Approximately 150-200 square feet each, a second pavilion serves as a stage in the middle of the park, while a third offers storage for park amenities. Custom David Hess sculptures are located on each of the city blocks.


Location: Washington, D.C.

Project Size: 3 acres

Project Type: Open space - Park

Site Context: Urban

Former Land Use: Brownfield

Terrestrial Biome: Temperate Broadleaf & Mixed Forests

Budget: $20,000,000

 
 
 
 






 

Source:

 
http://www.canalparkdc.org/about/design-team

Friday, April 3, 2015

Could Solar-powered Desalination Solve California's Water Supply Problem?



Gorgeous Floating Water Lily Islands Soak Up Solar Rays








green design, eco design, sustainable design, Berlin, floating island, artificial island, solar power, Phuket, THailand, Aedes am Pfefferberg, The Why Factory, “Water- Curse or Blessing",

It may be a little ambitious but I believe Head architect Winy Maas has the idea, along with research group The Why Factory. They challenge human kind around the world to think big in regards to going green and conserving our natural resources. Making bold and slightly fantastical designs, the group’s plan for the Thai city of Phuket are both beautiful and self-sustaining. Part of an exhibition at Berlin’s Aedes am Pfefferberg, Why Factory’s submission is a series of water-lily like artificial islands that soak up the sun and convert it to energy.



green design, eco design, sustainable design, Berlin, floating island, artificial island, solar power, Phuket, THailand, Aedes am Pfefferberg, The Why Factory, “Water- Curse or Blessing",

The exhibition, entitled “Water- Curse or Blessing”, presents innovative projects for architectural and infrastructural advancement in regions of Asia that are near large bodies of water. Since 90% of residents of southeast Asia, as well as south and east of that live near water, the exhibition tackles the issues that are specific to these regions. Water may be everywhere, but these areas are still commonly afflicted by droughts, floods, and shortages of potable water.





Why Factory’s water lilies are giant floating islands that surround the lush city of Phuket. Opening in blossom towards the sun, the lily islands would attract tourists to the area. Each would be accessible by boat, with stairways that lead to platforms providing incredible views – views also reflected in each petal of the blossom. Not only beautiful, but the islands are also functional, soaking up sun with their giant radii, and transferring it back to power the city. Why Factory’s ideas are large scale- they don’t believe in small individual steps, but rather grand gestures to slowly turn this world into a sustainable energy powerhouse.

WHY NOT USE A SIMILAR CONCEPT TO SOLVE CALIFORNIA'S DROUGHT!

California is suffering through its worst drought in decades, and it has gotten so bad that officials announced that 17 communities across the state are in danger of running out of water within 60 to 120 days. But what if the solution to California’s water crisis is as simple as sunlight – a resource the state has in abundance? That’s exactly what California-based startup WaterFX is proposing with its solar-powered desalination system. Renewable desalination could solve water scarcity issues not just in California but in other drought-stricken and desertified areas across the world.


solar-powered desalination, California, drought, water, renewable, solar, freshwater, salt water, WaterFX, Australia, Saudi Arabia, Qatar, Aaron Mandell


WaterFX‘s system cleans water with a Concentrated Solar Still (CSS), which collects the sun’s thermal energy and transfers it through pipes filled with heat transfer fluid to a heat pump. The heat is then used for the distillation process, which evaporates freshwater out of the saltwater source. The condensate is then recovered as pure, fresh H2O. A thermal storage system holds excess heat for the times when the sun isn’t shining.
“If we roll out the technology … we could produce 8% of all the water used in California, with just the land that was fallowed during the last drought,” WaterFX Founder and Chairman Aaron Mandell recently told Forbes Magazine. “That’s enough water for over 7M acres of irrigated farmland. You would begin to change the economics and change the course of how water is used. The whole idea is to wean the State off of the Central Aqueduct and become water independent. The current system is unsustainable and unreliable.”
However solar desalination systems are not without their challenges – it takes a lot of energy to suck up large quantities of ocean water, and the process can capture local marine life as well. There’s also the issue of solar desalination’s byproduct – a salty sludge that can harm ecosystems if it’s pumped back into the ocean.
Other parts of the world working on renewable desalination include South Australia, where Sundrop Farms has installed a desalination plant near Port Augusta; Qatar, where the Sahara Forest Project is experimenting with a pilot system; and Saudi Arabia, where there are plans to build a solar-powered plant in Al-Khafji. Saudi Arabia currently uses the equivalent of around 300,000 barrels of crude oil a day for its desalination plants, so switching from fossil fuels to renewable energy could have a huge positive impact on climate change and sustainability.
“What we are trying to do is to develop a model that can be replicated. The problems in California are identical to those in many parts of the world. China is depending on delicate river systems to provide water for all types of economic growth that will not be sustainable. We could also do this in Saudi Arabia – they use an enormous amount of oil for water consumption, to evaporate or move water around the country,” said Mandell.

If we are in a drought with no where else to go, I'm quite sure innovation will arise and take its place to map its coarse across the nation while presenting uncharted underground and above ground sustainable solutions. Or Else we resort to this.

Town photoshopped to look like a drought burdened desert



Read more: Gorgeous Floating Water Lily Islands Soak Up Solar Rays | Inhabitat - Sustainable Design Innovation, Eco Architecture, Green Building
Read more: http://inhabitat.com/solar-powered-desalination-could-solve-californias-water-supply-problem/


Friday, March 27, 2015


TGIF to the viewers!
 
For this week’s YEOW, we’d like to share with you: 
 
Artist Spotlight: Andy Goldsworthy

Andy Goldsworthy is a British born sculptor, photographer, and environmentalist. His artwork is often temporary or ephemeral in nature. He uses organic material such as flowers, icicles, leaves, mud, pinecones, snow, twigs, thorns, and rock for his art forms. Due to the brevity of Goldsworthy’s art, photography is a crucial role in documenting his work. Goldsworthy uses his bare hands, teeth, and other found tools to produce and arrange materials. Assistant masons are used for larger rock art forms. Goldsworthy currently resides and works out of Scotland, however his sculpture can be found throughout the U.S. and locally at the National Gallery of Art’s East Building.

"Each work grows, stays, decays – integral parts of a cycle which the photograph shows at its heights, marking the moment when the work is most alive. There is an intensity about a work at its peak that I hope is expressed in the image. Process and decay are implicit.” –Andy Goldsworthy

"I think it's incredibly brave to be working with flowers and leaves and petals. But I have to: I can't edit the materials I work with. My remit is to work with nature as a whole” –Andy Goldsworthy

 

Sources:












 

Friday, March 20, 2015

New City Square in Perth Reconnects Urban Landscape, Honors an Indigenous Warrior

 
 
The Metropolitan Redevelopment Authority of Perth has released conceptual images for what is to become the city’s latest public space, designed by a team comprised of Aspect Studios, Iredale Pedersen Hook, and Lyons Architecture. With construction to begin in mid-2015 and slated for completion in 2017, the square takes its name from Yagan, an Indigenous Australian warrior of Perth’s local Noongar people. Integral to early resistance against British colonization, Yagan’s tenacity, leadership, and subsequent execution by settlers have cemented his role in Indigenous Australian folklore. Read more about this significant acknowledgement of Indigenous history after the break.
 
 
 
 
 

 
 
 
 
Accommodating up to 8500 people, the square will be the city’s first major outdoor space for nighttime gatherings, and is described by Western Australian Premier Colin Barnett as a means of connecting visitors to the state’s history. Sited at a major transit interchange and creating five new North-South corridors through Perth’s CBD, the sprawling development will cost an estimated AUD$73 million.
 
 

 
 
Recent years have seen an increase in reconciliation efforts between Indigenous and non-Indigenous Australians, and recognition of the need to reflect the Indigenous narrative within mainstream Australian history. Incorporating thematic and visual elements of Noongar culture and lore, the vision for the new square relies heavily on Indigenous storytelling and representational methods, stitching together two discrete histories. Multimedia installations, public art, native landscaping, and Noongar folklore and track imagery are united beneath a meandering canopy, retelling a history as colourful and bold as the development itself
 
 
 Part of the Perth City Link Project masterplan, Yagan Square will reconnect parts of the CBD that have been divided by a rail corridor for over a century, and feature works and contributions by Indigenous and non-Indigenous creatives alike. Yagan Square will celebrate diversity and community, housing an amphitheater, marketplace, play area, event space, and other civic attractions

http://www.archdaily.com/584225/new-city-square-in-perth-reconnects-urban-landscape-honours-an-indigenous-warrior/

https://www.youtube.com/watch?v=hKDjALi6e3I