Welcome to the Y.our E.nvironment O.f the W.eek! We’re sharing inspiring and influential project solutions to increase the presence of design in our practice as we have the responsibility of shaping environments in the world for ourselves and the future.
Friday, October 30, 2015
Floating Sculpture
A monumental, aerial sculpture is suspended over Boston’s Rose Kennedy Greenway from May through October 2015 as the signature contemporary art installation in the Greenway Conservancy’s Public Art Program.
The sculpture for Boston spans the void where an elevated highway once split downtown from its waterfront. Knitting together the urban fabric, it soars 600 feet through the air above street traffic and pedestrian park.
The form of “As If It Were Already Here” echoes the history of its location. The three voids recall the “Tri-Mountain” which was razed in the 18th-century to create land from the harbor. The colored banding is a nod to the six traffic lanes that once overwhelmed the neighborhood, before the Big Dig buried them and enabled the space to be reclaimed for urban pedestrian life.
The sculpture is made by hand-splicing rope and knotting twine into an interconnected mesh of more than a half-million nodes. When any one of its elements moves, every other element is affected. Monumental in scale and strength yet delicate as lace, it fluidly responds to ever-changing wind and weather. Its fibers are 15 times stronger than steel yet incredibly lightweight, making the sculpture able to lace directly into three skyscrapers as a soft counterpoint to hard-edged architecture. It is a physical manifestation of interconnectedness and strength through resiliency.
In daylight the porous form blends with sky when looking up, and casts shadow-drawings onto the ground below. At night it becomes an illuminated beacon. The artwork incorporates dynamic light elements which reflect the changing effects of wind. Sensors around the site register fiber movement and tension and this data directs the color of light projected onto the sculpture’s surface.
“Here in Boston, I’m excited to visually knit together the fabric of the city with art,” said Echelman. “The creation of the Greenway was a seminal event in the unfolding of our city, so I’m delighted and humbled to be a part of its transformation into a vibrant cultural destination.”
The work invites you to linger, whether seen amidst the skyline from afar, or lying down on the grassy knoll beneath. It embraces Boston as a city on foot, where past and present are interwoven, and takes our gaze skyward to feel the vibrant pulse of now. It invites you to pause, and contemplate a physical manifestation of interconnectedness – soft with hard, earth with sky, things we control with the forces beyond us.
By the Numbers:
– The sculpture includes over 100 miles of twine
– Longest span is 600 ft
- Highest point of attachment is 365 ft
– There are over half a million knots (~542,500)
– The sculpture weighs approximately 1 ton
– The sculpture can exert over 100 tons of force
– Projected plan area of the sculpture is 20,250 sq ft, or almost half an acre
http://www.echelman.com/project/boston-greenway/
Friday, October 23, 2015
Missouri Botanical Garden
TGIF to the viewers!
For this week’s YEOW, we’d like to share with you the Missouri Botanical Garden.
The Missouri
Botanical Garden in St. Louis was founded in 1859 by Henry Shaw. Today, 154
years after opening, the Garden is a National Historic Landmark and a center
for science, conservation, education and horticultural display — widely
considered one of the top three botanical gardens in the world.
The Garden is a
center for botanical research and science education of international repute, as
well as an oasis in the city of St. Louis, with 79 acres (32 ha) of
horticultural display. It includes a 14-acre (5.7 ha) Japanese strolling garden
named Seiwa-en; the Climatron geodesic dome conservatory; a children's garden,
including a pioneer village; a playground; a fountain area and a water locking
system, somewhat similar to the locking system at the Panama Canal; an Osage
camp; and Henry Shaw’s original 1850 estate home. It is adjacent to Tower Grove
Park, another of Shaw’s legacies. In 1983, the Botanical Garden was added as
the fourth subdistrict of the Metropolitan Zoological Park and Museum District.
For part of
2006, the Missouri Botanical Garden featured "Glass in the Garden",
with glass sculptures by Dale Chihuly placed throughout the garden. Four pieces
were purchased to remain at the gardens. In 2008 sculptures of the French
artist Niki de Saint Phalle were placed throughout the garden. In 2009, the
150th anniversary of the Garden was celebrated, including a floral clock
display.
Open 9 a.m. to
5 p.m. daily, 4344 Shaw Blvd., St. Louis, MO 63110
http://www.missouribotanicalgarden.org/
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